"Spiritual music needs more anal sex in it."   That sentence alone embodies Nakhane's MO. The South African pop iconoclast, who draws on f...

The Festival de Musique Émergente (FME) returns to Rouyn-Noranda in Quebec's Abitibi-Témiscamingue region this Labour Day weekend. From Augu...

The lush symphonic landscapes of Klo Pelgag's Polaris-longlisted L'Étoile thoracique fit perfectly draped in the natural beauty provided by...

After four packed days of genre averse programming, FME capped off celebrations of its 15-year anniversary with an ambitious, two-hour tribu...

FME's acoustically pristine Agora des Arts set with Jean-Michel Blais's unamplified Yamaha began with a previously recorded message requesti...

Currently touring in support of their February-released sophomore album Punk Shadows – an eccentric, artfully dense work of baroque electrop...

There's very little information available about this new project from former Plants and Animals bandmates Adèle Trottier-Rivard (Louis-Jean...

When Vivianne Roy paused between songs to ask who in the tightly packed crowd on Pub Chez Gibb's patio caught A Place To Bury Strangers the...

A motley crew of scraggly hair, vintage rock tees, leather jackets, and – in keyboardist Christophe Lamarche-Ledoux's case – a barelegged un...

Oliver Ackermann's guitar strap disengaged on the first assaultive note of set opener "We've Come So Far," and that was it. Unwilling to be...

Elephant Stone is a psych band with a sitar, but their appreciation for the traditional Indian instrument reaches beyond novelty. It's a fre...